Monday, 6 September 2010
Update + Autumn Fair
It's been a while since I've updated on here. Been busy with an Egypt-related illustration project which was well up my street. Also had to fetch my father from hospital the other week after his hip op. Have sold a couple of paintings lately and bought one which I've yet to collect. Will probably go to the Autumn Trade Fair at the NEC in Birmingham tomorrow, so see you there if you are going.
Friday, 23 July 2010
Draw, Antonio, draw, Antonio; draw and don't waste time!

Went to the British Museum yesterday to catch an exhibition before it closes: 'Fra Angelico to Leonardo: Italian Renaissance Drawings.' Quite busy and with drawings everyone wants to get their head up close. Worth seeing though, particularly intrugued by some of the allegirical pictures by Giovanni Antonio da Brescia, with whom I was not very familiar before.
Wednesday, 14 July 2010
Critique and Technique.

I went to the second of two day art classes today, given at the Rebecca Hill Modern Art gallery by local artist Ali Cockrean.
I was quite inspired by her work in acrylics, and learned a bit about applying paint with more texture. It's always useful to find out about other artists and their different styles and ways of doing things. We did a bit of colour mixing this morning which was something I needed to learn more about. Later I produced a quick painting of a dragon flying over some mountains. It's only small, but this is my first vaguely presentable picture done in acrylics in a long time. I was always fonder of oil and have made the transition to digital of late, though I like to keep my hand in with traditional art.
Saturday, 10 July 2010
Gerome and Knight's review
I'm not local or loaded enough to see the Gerome show at the Getty.
I was just reading the below-linked rather scathing review by Christopher Knight of the Los Angeles Times. Knight accuses Gerome of inventing the 'sword and sandals' genre that is now has its home in Hollywood epics. There is some truth in this although the implication that this is somehow a low-brow 'populist' manifestation represents only modernist critical snobbery, and a warped set of artistic priorities. Why should drama, history, spectacle and narrative content be banished from the art gallery and exiled to the cinema? It makes no sense to me. I have often said, indeed, that the movie industry is the true heir of the great western art tradition, that which the modernist artists and critics consciously sought to bring to an end. Contrary to Knight's opinion it seems to be this lot rather than the classicists who lack a clue. Thanks to the denigration of the likes of Gerome a world of skill and knowledge was all-but-lost.
Knight accuses Gerome of a 'disengagement with art's possibilities.' A prejudice aginst the academic painters is revealed throughout Knight's review. An example is the irrelevant note that the winners of the Prix de Rome were always males. In fact one of the most notable winners, Bouguereau, would later do much to open up academic studios to female students (and eventually married one). There were as many female classical painters as there were in any other movement, many of them very successful.
I was just reading the below-linked rather scathing review by Christopher Knight of the Los Angeles Times. Knight accuses Gerome of inventing the 'sword and sandals' genre that is now has its home in Hollywood epics. There is some truth in this although the implication that this is somehow a low-brow 'populist' manifestation represents only modernist critical snobbery, and a warped set of artistic priorities. Why should drama, history, spectacle and narrative content be banished from the art gallery and exiled to the cinema? It makes no sense to me. I have often said, indeed, that the movie industry is the true heir of the great western art tradition, that which the modernist artists and critics consciously sought to bring to an end. Contrary to Knight's opinion it seems to be this lot rather than the classicists who lack a clue. Thanks to the denigration of the likes of Gerome a world of skill and knowledge was all-but-lost.
Knight accuses Gerome of a 'disengagement with art's possibilities.' A prejudice aginst the academic painters is revealed throughout Knight's review. An example is the irrelevant note that the winners of the Prix de Rome were always males. In fact one of the most notable winners, Bouguereau, would later do much to open up academic studios to female students (and eventually married one). There were as many female classical painters as there were in any other movement, many of them very successful.
Tuesday, 22 June 2010
Andromeda Finished.
Put some finishing touches to Andromeda today. Goes quite nicely in an old fashioned frame that's been waiting for a picture... Feel free to get in touch if you are interested in purchasing original works or know of any suitable venues for exhibiting. I would be much obliged...
email giaour94@hotmail.com
Wednesday, 16 June 2010
Andromeda wip
Something I started today is this painting of Andromeda from Greek mythology, who was nearly eaten by a toothsome beastie from the deep on account of her mother's boasting that she was prettier than the Nereids. Nice. It's time to break out the old oils and give myself a break from digital media. (The only bamboo involved is a component of my maul stick!)
Saturday, 12 June 2010
Kick It!
So England tie 1-1 with the USA in the Football World Cup. Jolly good this is, meaning we all retain some dignity and I don't lose any customers across the water! Most of my recent illustration clients have been based in the States lately (with the notable exception of Magnum Opus Press, which I seem on course to debut with). I'll confess, I'm not hugely into football, which oddly seems to capture the imagination of the females in my family more than the males. (My sister, who lives in Tottenham but supports Manchester, has a job designing footie merchandise). I get more of a patriotic stirring watching things like the Trooping of the Colour, which was this morning. For the last couple of years I've happened to actually be in London on the day and to get myself to the Mall to catch the parade return towards Buckingham Palace. This year I had a better view, from the living room. Here are a couple of photo from a previous year...


In so far as I take an interest in the world cup, I now look forward to supporting both the Brits and the Yanks. Any fellow Englanders- whose patriotism isn't compromised by their pragmatism- may be interested in some of the designs I've added to my cafepress shop, especially the Crusader section, where there is a range of stuff with the shield of Saint George.


In so far as I take an interest in the world cup, I now look forward to supporting both the Brits and the Yanks. Any fellow Englanders- whose patriotism isn't compromised by their pragmatism- may be interested in some of the designs I've added to my cafepress shop, especially the Crusader section, where there is a range of stuff with the shield of Saint George.
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